Post by Deleted on Dec 12, 2017 20:58:41 GMT -5
what up i’m redheart, i’m of an undefined age, and i never learned how to freaking make my own characters without stealing from dead people
these are only a few of them from my trashy comic but these are the ones i feel like using for this kind of thing that won’t give away all the big spoilers. some have shown up already, some haven’t. it’s a grab bag. i will probably regret making this thread 0.0005 seconds after i make it. yo holla
these are only a few of them from my trashy comic but these are the ones i feel like using for this kind of thing that won’t give away all the big spoilers. some have shown up already, some haven’t. it’s a grab bag. i will probably regret making this thread 0.0005 seconds after i make it. yo holla
TAMINO- A golden tabby Bengal. He is stubborn, arrogant, naive, and inexperienced at all manners of city life, yet for some reason chosen for the quest by the Queen of the Night to save her daughter. He has very little recollection of his past: he used to be a house at in suburbia before by freak accident he was left in the city, and before that he has the faintest idea besides a deep fear of water and snakes (exactly how and why he has these massive phobias he doesn’t exactly know). Has a horrible sense of judging character. Secretly insecure, but he doesn’t talk much about it. In love with Pamina, although she doesn’t even know him yet.
PAMINA- A blue-gray Russian Blue with white spots. She’s calm, quiet (although a bit too quiet for her own comfort) and compassionate, and fiercely loyal to her mother. She tries to keep a sane head on her shoulders, but this is growing harder and harder to do. Currently stuck in Sarastro’s headquarters, although she’s not exactly sure why Sarastro would take her instead of someone like her mother. She’s inherited more traits from the Queen of the Night than she thinks...
PAPAGENO- A brown-and-white Maine Coon (small for his breed but still tall for a cat). Friendly and far too talkative for his own good (or for anyone else’s for that matter), although he’s actually rather lonely and not nearly as optimistic as he would like to have you believe. He is currently accompanying Tamino on his quest to save the Queen’s daughter, although he’d really rather not do so if he weren’t being forced to do so by the Queen of the Night herself. He works for the Queen of the Night as a bird-catcher, although he doesn’t see her himself as he’s mainly managed by her three guards.
DON GIOVANNI: A dark brown tabby of unknown descent (although it’s known he has some Norwegian Forest Cat lineage somewhere). At first, the Don seems like any other nobleman (noblecat?): Suave, well-mannered (If having a bit of a wild streak), and charming, however getting to know him shows that all of these are simple lies. A cat of deception and madness, he’s driven every day to seek out mollies, spend some time by their side as their beloved (or whatever else it takes), and then proceed to leave and move on to the next one once he’s gotten his fill, leaving a path of destruction in his wake. Killed an old man once and would do it again.
LEPORELLO: A small brown-and Black Manx. The cynical servant of Don Giovanni, he’s the exact opposite of the Don: logical (to a fault), cowardly, melancholy, and overly sardonic. His employment to the Don means he’s often up to his neck in some kind of danger, usually due to something the Don caused in the first place. Yet despite this, and despite how he often complains of his lot, he’s completely devoted to the Don- this is mostly because Leporello is (as much as he’d hate to say it) completely enamored with the Don and would do near anything for him.
DONNA ELVIRA: An off-white molly with calico spots. Elvira used to be a wide-eyed idealist pet cat in the Brookfield suburb not far from Chicago, and was smitten with Don Giovanni when she first met him. Of course, he being the Don, he left her just three days later, and two months later she bore his kittens. Shamed and abused for them, she left her suburb and found her children better homes before taking off to the city to find and stop Don Giovanni in his tracks. Now, after his “death” (or at least used to be his death, it’s complicated) she lives out in the train station giving advice, embittered and cynical but not lacking good heart. Currently in a relationship with Donna Anna.
FIGARO: A ginger tom of unknown heritage. Known for his cleverness and his wild ideas of rebellion, he used to be quite the revolutionist when he was younger, although he’s mellowed out now. However, when Figaro gets riled up about something relating to the class divide, he will revert back almost instantly to his more fiery days. This is probably due to his youth: he was born the bastard son of a maid and some pet cat (he doesn’t know the specifics) and was left on the streets to die due to having a paw in each class. Feeling he belonged nowhere and sickened by the treatment of the lower classes, he began starting revolutions, which has led him to who he is now. Really doesn’t like to talk much about his past besides that. Currently in a rivalry with Susanna.
SUSANNA: A ruddy tabby molly with spots. Sharp-tongued, witty, and always a spitfire, with a particular talent for the backhanded insult. This all probably comes from when she was younger- her parents both died of separate causes, leaving her in the care of her uncle and his wife. The wife died in childbirth, leaving Susanna’s uncle to develop a drinking problem- and for young Susanna to fend for herself and her cousin. She’s currently in employment as a servant to Countess Almaviva, who she is also dear friends with, although she isn’t a fan at all of the Countess’s husband. Currently in a rivalry with Figaro.
COUNT ALMAVIVA: A tuxedo purebred Oriental, and overly proud of his pedigree. The Count does have a sense of public decency, and is quite nice to his friends and other noblemen, but he’s usually anything but decent- moody, territorial, with a small temper and a smaller sense of loyalty, and overly obsessed with his own image. He used to be much nicer, but his power and his insecurities have degenerated him. Probably in more than one affair behind his wife’s back- he used to be head-over-heels in love with her, but he seems to have gotten bored of her.
COUNTESS ALMAVIVA: A tan purebred Oriental Longhair. The Countess used to be a bit more crafty in her youth, but she has since mellowed- she is graceful, gentle, with the air of peace that a dove gives. She’s known for her kindness and her melancholy, the polar opposite of her husband, Count Almaviva. She has a somewhat innocent sense to her. The employer and dear friend of Susanna, even though they are very different from one another. Tends to be quieter in the presence of her husband, for if she talks he’ll just talk even more than he usually does.
THE SPEAKER: A chocolate-colored Havana Brown. The wise, dignified, mentoring, and careful second-in-command of Sarastro- although since he was dethroned he’s fallen into a slump, and she’s had to manage everything for him since. She often tries to help him get out and do his duties (even though he is no longer in power), but he never does so, staying in the shadows and bemoaning the loss of his crown, his wife, and his children. She’s his best friend and adviser, of course- but she can’t help but feel frustration that she has to suddenly be out in charge where she isn’t supposed to be. She’s a better strategist than she likes to admit, and was the one to come up with the plan to take Pamina from the Queen of the Night.
PAMINA- A blue-gray Russian Blue with white spots. She’s calm, quiet (although a bit too quiet for her own comfort) and compassionate, and fiercely loyal to her mother. She tries to keep a sane head on her shoulders, but this is growing harder and harder to do. Currently stuck in Sarastro’s headquarters, although she’s not exactly sure why Sarastro would take her instead of someone like her mother. She’s inherited more traits from the Queen of the Night than she thinks...
PAPAGENO- A brown-and-white Maine Coon (small for his breed but still tall for a cat). Friendly and far too talkative for his own good (or for anyone else’s for that matter), although he’s actually rather lonely and not nearly as optimistic as he would like to have you believe. He is currently accompanying Tamino on his quest to save the Queen’s daughter, although he’d really rather not do so if he weren’t being forced to do so by the Queen of the Night herself. He works for the Queen of the Night as a bird-catcher, although he doesn’t see her himself as he’s mainly managed by her three guards.
DON GIOVANNI: A dark brown tabby of unknown descent (although it’s known he has some Norwegian Forest Cat lineage somewhere). At first, the Don seems like any other nobleman (noblecat?): Suave, well-mannered (If having a bit of a wild streak), and charming, however getting to know him shows that all of these are simple lies. A cat of deception and madness, he’s driven every day to seek out mollies, spend some time by their side as their beloved (or whatever else it takes), and then proceed to leave and move on to the next one once he’s gotten his fill, leaving a path of destruction in his wake. Killed an old man once and would do it again.
LEPORELLO: A small brown-and Black Manx. The cynical servant of Don Giovanni, he’s the exact opposite of the Don: logical (to a fault), cowardly, melancholy, and overly sardonic. His employment to the Don means he’s often up to his neck in some kind of danger, usually due to something the Don caused in the first place. Yet despite this, and despite how he often complains of his lot, he’s completely devoted to the Don- this is mostly because Leporello is (as much as he’d hate to say it) completely enamored with the Don and would do near anything for him.
DONNA ELVIRA: An off-white molly with calico spots. Elvira used to be a wide-eyed idealist pet cat in the Brookfield suburb not far from Chicago, and was smitten with Don Giovanni when she first met him. Of course, he being the Don, he left her just three days later, and two months later she bore his kittens. Shamed and abused for them, she left her suburb and found her children better homes before taking off to the city to find and stop Don Giovanni in his tracks. Now, after his “death” (or at least used to be his death, it’s complicated) she lives out in the train station giving advice, embittered and cynical but not lacking good heart. Currently in a relationship with Donna Anna.
FIGARO: A ginger tom of unknown heritage. Known for his cleverness and his wild ideas of rebellion, he used to be quite the revolutionist when he was younger, although he’s mellowed out now. However, when Figaro gets riled up about something relating to the class divide, he will revert back almost instantly to his more fiery days. This is probably due to his youth: he was born the bastard son of a maid and some pet cat (he doesn’t know the specifics) and was left on the streets to die due to having a paw in each class. Feeling he belonged nowhere and sickened by the treatment of the lower classes, he began starting revolutions, which has led him to who he is now. Really doesn’t like to talk much about his past besides that. Currently in a rivalry with Susanna.
SUSANNA: A ruddy tabby molly with spots. Sharp-tongued, witty, and always a spitfire, with a particular talent for the backhanded insult. This all probably comes from when she was younger- her parents both died of separate causes, leaving her in the care of her uncle and his wife. The wife died in childbirth, leaving Susanna’s uncle to develop a drinking problem- and for young Susanna to fend for herself and her cousin. She’s currently in employment as a servant to Countess Almaviva, who she is also dear friends with, although she isn’t a fan at all of the Countess’s husband. Currently in a rivalry with Figaro.
COUNT ALMAVIVA: A tuxedo purebred Oriental, and overly proud of his pedigree. The Count does have a sense of public decency, and is quite nice to his friends and other noblemen, but he’s usually anything but decent- moody, territorial, with a small temper and a smaller sense of loyalty, and overly obsessed with his own image. He used to be much nicer, but his power and his insecurities have degenerated him. Probably in more than one affair behind his wife’s back- he used to be head-over-heels in love with her, but he seems to have gotten bored of her.
COUNTESS ALMAVIVA: A tan purebred Oriental Longhair. The Countess used to be a bit more crafty in her youth, but she has since mellowed- she is graceful, gentle, with the air of peace that a dove gives. She’s known for her kindness and her melancholy, the polar opposite of her husband, Count Almaviva. She has a somewhat innocent sense to her. The employer and dear friend of Susanna, even though they are very different from one another. Tends to be quieter in the presence of her husband, for if she talks he’ll just talk even more than he usually does.
THE SPEAKER: A chocolate-colored Havana Brown. The wise, dignified, mentoring, and careful second-in-command of Sarastro- although since he was dethroned he’s fallen into a slump, and she’s had to manage everything for him since. She often tries to help him get out and do his duties (even though he is no longer in power), but he never does so, staying in the shadows and bemoaning the loss of his crown, his wife, and his children. She’s his best friend and adviser, of course- but she can’t help but feel frustration that she has to suddenly be out in charge where she isn’t supposed to be. She’s a better strategist than she likes to admit, and was the one to come up with the plan to take Pamina from the Queen of the Night.